House of Joy

Showing:   March 05 - 29, 2020
Where: Lyceum Space

Written by: Madhuri Shekar

Directed by: Sam Woodhouse & Arpita Mukherjee

Set in the 17th century, in a place like Delhi, India, House of Joy spins the tale of Hamida, one of the elite female bodyguards in the Emperor's Imperial Harem. When faced with an impossible ethical quandary, Hamida goes against everything she believes and risks her life to help abused Queen Mariyam escape the heavily guarded harem. Inspired by the epic legends of Indian history, Shekar has crafted a swashbuckling action-adventure romance centering on strong women who battle each other as well as a world threatening to enter their sacred space. This wildly entertaining story of palace intrigue and betrayal features sword fights, narrow escapes and sparks of revolution that culminates in a breathtaking conclusion!

"If there is a paradise on earth, it is this. Welcome to the House of Joy!" - House of Joy

Written by: Madhuri Shekar
Directed by: Sam Woodhouse & Arpita Mukherjee
Scenic Design by: Sean Fanning
Costume Design by: Carmen Amon
Lighting Design by: Chris Rynne
Sound Design by: Matt Lescault-Wood
Projection Design by: Samantha Rojales
Composed by: Ramon Bostich
Assistant Directed by: Patrice Amon
Casting Directed by: Kim Heil
Actor: Devereau Chumrau
Actor: Karthik Srinivasan
Actor: Shaun Tuazon
Actor: TaiReikca Glover
Actor: Mondis Vakili
Actor: Tamara Rodriguez
Actor: Ulka Simone Mohanty
Actor: Deepti Kingra

MADHURI SHEKAR (PLAYWRIGHT) was born in California and grew up in India, and after a couple of quick detours in Singapore and London, made her first grown-up home in Los Angeles. She currently shuttles between Jersey City, Los Angeles and Chennai. Her new audio play Evil Eye debuted on the Audible best-seller list in May 2019. Her play Queen had its world premiere in April 2017 at Victory Gardens Theatre in Chicago, and was nominated for a Jeff Award for Best New Play. 

She has received two commissions from Atlanta’s Alliance Theater (Bucket of Blessings and Antigone, Presented by the Girls of St. Catherine’s), which were both produced in subsequent seasons. She has also been commissioned by the Kennedy Center, South Coast Rep and Victory Gardens. Her plays have also been developed or showcased at Center Theatre Group, the Old Globe, the Kennedy Center, the Hedgebrook Playwrights Festival (in conjunction with Seattle Rep) and the Oregon Shakespeare Festival. She has an MFA in Dramatic Writing from USC, and a dual Master’s degree in Global Media and Communications from the London School of Economics and USC. She is a 2018 alumnus of the Lila Acheson Wallace American Playwrights program at Juilliard. She is an alumna of the Ma-Yi writers lab, the Ars Nova Play Group and the Center Theatre Group Writers Workshop, and a co-creator of the Shakespearean web series, Titus and Dronicus. She became a member of New Dramatists in 2019. She is a staff writer for the upcoming HBO show The Nevers.

SAM WOODHOUSE (DIRECTOR) co-founded San Diego REP with D.W. Jacobs in 1976, and has since worked as a director, producer or actor on more than 280 productions. As an actor, he has performed on The REP stages in The Seafarer, in the title role of King Lear, Proof, Hamlet and with the San Diego Symphony Orchestra in the title role of Stravinsky’s L’Histoire du Soldat. His recent directorial work with The REP includes: Bad Hombres/Good Wives, Sweat, A Doll’s House, Part 2, Fun Home, Beachtown, Hand to God, EVITA, Into the Beautiful North, Manifest Destinitis, Rapture, Blister, Burn, The Oldest Boy, Violet, Oedipus El Rey, Honky, El Henry (with La Jolla Playhouse), Detroit, Venus in Fur, In the Heights, Federal Jazz Project, Clybourne Park and The Who’s TOMMY. In 2011, he directed American Night: The Ballad of Juan José for the Denver Center Theatre Company. In 2003, he was awarded the Patté Shiley Award for Lifetime Achievement by KPBS and the prestigious Alonzo Award by the Downtown San Diego Partnership. In 2006, he and Jacobs were honored with the Craig Noel Award by the San Diego Theatre Critics Circle for 30 years of artistic dedication to downtown and diversity.

ARPITA MUKHERJEE (DIRECTOR) is the Artistic Director of Congressional Award winning Hypokrit Theatre Company. Recent: Elements of Change with UNICEF, Rattlestick Playwrights Theater and Greenpoint Innovations (Director), Eh Dah: Questions for My Father (a reading) by Aya Aziz at All For One Theatre (Director), The Djinn by Divya Mangwani at Rattlestick Playwrights Theater (Director), Monsoon Wedding the Musical at Berkeley Rep (Original Dramaturg, Associate Director), Queen – A Reading – Ma-Yi Theater Company (Director), Appeasing Radhika - Baruch College (Director), An Evening of Indian Classics at Theater for the New City (Director), Romeo and Juliet at the Access Theater (Director), My First Time – DC premiere (Director), How to Succeed as an Ethnically Ambiguous Actor – Off-Broadway (Co-Writer/Creative Producer). Awards/Nominations: Best Book at New York Musical Festival, nominated for Best Director at Planet Connections Theatre Festivity, Congressional Award for Diversity in the Arts - Hypokrit Theatre Company. Arpita is a member of the WP Theater 2018-2020 Directors Lab, the 2018 Eugene O’ Neill National Directing Fellow, a 2019 Mabou Mines Resident Artist, a member of the 2018 Lincoln Center Directors Lab and a 2018 Jonathan Alper Directing Fellow.


Phone: 619.544.1000
Hours: 12 p.m. — 6p.m. daily

On days with an evening performance, the Lyceum Box Office is available by phone until one hour prior to curtain time and the walk-up window is open 15 minutes after curtain time (late-seating is at the discretion of house management).

For group sales, call 619.544.1001.


Enjoy our Lyceum Café on your next visit!

Our Lyceum Café opens an hour and forty-five minutes before curtain, and offers a menu of small bites, flatbreads, paninis and desserts, as well as a full bar featuring a special cocktail for each show.  Come early and try our new daily specials and to enjoy happy hour, which runs from an hour and forty-five minutes before curtain, to fourty-five minutes before curtain.  Click here for the menu.

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